Pit gives a poppin’ performance

Lively notes permeated the San Gabriel Mission Playhouse as the pit orchestra played numerous selections from the “Mary Poppins” soundtrack during the musical on Mar. 15, 16 and 17. The cast proceeded to step in time and sing along to the rhythmic tunes as the musicians provided an accompaniment.

The ensemble included 33 performers who utilize their musical talents to provide music and sound effects throughout the show. During the production, they played in a lower area in front of the stage. Within the group, there were several players selected from each section of Honors Orchestra and Band.
“The pit orchestra is vital to the production,” Band Director Mr. Bert Ferntheil said. “Without a pit orchestra, it would just be a play with dialogue and words on a stage. It’s essential to have a combination of both the music and acting for it to be a musical.”
Mr. Ferntheil chose the pit orchestra by selecting the top players of the brass, wind, string and percussion sections, which provided an opportunity for musicians to participate in the production of the musical.
“Out of my three years in Honors Orchestra, this is my first year participating as part of the pit orchestra in the musical, and I’m excited to finally be part of the production,” Senior Brian Cheng said. “I’ll be playing the piano and doing sound effects alongside District Accompanist Mr. John Howie. It’s a very fun instrument of sorts—one moment I’m a rustic organ, and the next I’m a typewriter!”
The group performed 35 songs, including “Chim Chim Cher-ee” and “Step in Time.” They played a variety of pieces while the cast performed, during scene changes and extra time.
“I decided to join the pit orchestra because it was something I’ve always dreamed to be a part of,” Sophomore Alice Wang said. “I think it’s a great experience and I enjoy seeing how the vocals and dancing fit together with the music. The music helps enhance the overall experience. Together, the efforts of both the orchestra and cast is what brings the musical to life.”
The performers and ensemble attended rehearsals in the evening, starting from twice a week in early February. The string and wind sections practiced separately three weeks before the musical and later combined with the full cast on March 4.
As the date of the first performance drew nearer, the pit orchestra and cast met more frequently throughout the week, eventually holding daily rehearsals until the day of the musical.
“Having a live orchestra makes the show so much more professional and authentic,” Senior Cathy Lu said. “I think the pit orchestra is definitely a crucial supporting role. Even though it’s a lot of work, it’s super fulfilling to see the amazing end result—seeing what can happen when all these talented musicians, performers and stage crew members come together.”